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    Opera guests 'throw up' and 'faint' over X-rated performance that featured real sex on stage

    Home> News> World News

    Updated 12:53 13 Oct 2024 GMT+1Published 11:02 13 Oct 2024 GMT+1

    Opera guests 'throw up' and 'faint' over X-rated performance that featured real sex on stage

    The opera performance was first created in 1921

    Britt Jones

    Britt Jones

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    Featured Image Credit: Staatsoper Stuttgart/YouTube

    Topics: Germany, World News, Sex and Relationships, LGBTQ

    Britt Jones
    Britt Jones

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    A number of opera attendees needed medical help after witnessing the provocative scenes shown in a radical feminist show.

    The show, which caused quite the stir when it was first composed in 1921, is back in Stuttgart, Germany, with its first showing on October 5 receiving controversy.

    The religious explorative orchestration will end on November 3 with seven performances lined up for opera enthusiasts to enjoy.

    But it doesn’t seem like little over a dozen people were too pleased with its themes, after a doctor had to intervene on three occasions to hand out medical aid.

    This is because it seems the opera performance depicted scenes that may have proved far too graphic for some to handle.

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    With live lesbian sex, real and fake blood used and also a crude oral act involving a crucifix sword, it all got a little but too much for the front row viewers.

    The explicit show showcased a ‘radical version of the Holy Mass’ and involves just one act in which performers narrate the tale of a nun exploring her sexuality.

    However, it was this visual narration that caused 18 people to need help during some of the scenes.

    The Daily Mail reported that attendees needed aid after experiencing shock and nausea, leading to a doctor attending the scene.

    The graphic performance showed painful stunts, a nude and roller-skating nun, real infliction of bodily injuries and piercings and a little person dressed as the Pope being swung around by a mechanical arm, according to the Mirror.

    An actress with dwarfism dressed as a nun is swung around my a mechanical arm (YouTube/Staatsoper Stuttgart)
    An actress with dwarfism dressed as a nun is swung around my a mechanical arm (YouTube/Staatsoper Stuttgart)

    Orchestrated by composer Paul Hindemith and lead by the radical performance artist Florentina Holzinger, Sancta Susanna is a wild ride to say the least.

    The adaptation provided an all-female cast who portray nuns as they cast away their habits for a ‘sensual, poetic and wild’ performance.

    However, even though people were knocked sick by what they saw, a spokesperson for the opera wasn’t backing down by the controversy.

    Instead, they essentially told the guests that they knew what the show was all about and should have been prepared.

    The person told the Mail that the front row visitors would have known ‘what they are letting themselves in for’.

    However, they probably didn’t think Susanna, the main character, would lower her loincloth and get busy with herself.

    In one particular scene, a nun could be seen pleasuring herself with a cross, while another performer has their skin cut off and ‘grilled medium rare’.

    Nuns narrate the whole thing (YouTube/Staatsoper Stuttgart)
    Nuns narrate the whole thing (YouTube/Staatsoper Stuttgart)

    Other cast members were seen hanging from the inside of hells with their rear ends on show and another scene saw an actress portraying Jesus spanking a semi-naked nun on roller skates.

    Then, there were bodies hung up on the wall in a display reminiscent of Christ's crucifixion, which were then covered in fake blood being poured all over them.

    The theatre includes a trigger warning about what viewers might see, and states that it could provide ‘discomfort’ to those watching and might leave them ‘traumatised’.

    The show's description states: "Some aspects of the evening may cause discomfort for certain individuals, and for others, they may even be retraumatizing. The focus of the evening is on spirituality and sexuality, but also on criticism of religion and a critical examination of religious and societal violence."

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